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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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review. Almost A Stepmom @ Winnipeg Fringe

July 20, 2017

Writer and performer Keara Barnes shares a deeply personal story in her one woman show Almost A Stepmom. Embodying a total of 5 (five!!) characters with distinct voice and physicality, she shares her true life experiences of moving to Ireland and falling in love. Her work as an actor is really great, however despite a great story, the script itself feels a touch over-written, and could benefit from a bit more simplicity in the telling of it. The show falls in the trap of the one-person performance where the actor moves in physical spaces back and forth to talk to themselves, which is really too bad; the material, and the performer are stronger than that. Toward the end of the play, Barnes' writing shifts stylistically to us hearing only half a conversation, and smoother transitions between characters, and that is when it really begins to work. 

Overall a strong performer, and good story, but it could use a bit of direction and dramaturgy. 

Tags: winnipeg fringe, review, Keara Barnes, Almost A Stepmom, One person shows
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