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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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ragecomplacent.jpg

review. RAGE AGAINST The Complacent by Daniel Bagg @ Toronto Fringe

July 08, 2018

RAGE AGAINST The Complacent presents an allegorical story of young and idealistic journalism students who attempt to fight against "the complacent" mainstream junk-food media a la Buzzfeed and BlogTO. Staged on a blank space, with a lot of mime and chorus-like speaking from the 5 performers, the characters speak at length about how they want to change things, while their actions rarely go further than some internet-activism. 

The didactic script is not helped along by the style of direction, which despite some strong individual performances from the actors, lacks a cohesiveness in its vision and rather than showing unity among the characters, comes across as half-baked. The ideas aren't new or exciting, nor is the staging, yet it is all presented to us as if it were. 

It isn't all for nought; the young performers are earnest and engaging, but they are failed by the weak material and poor direction. I hope to have the chance to see them in something else down the road. 

Tags: review, toronto fringe, theatre, new play, new writing
← review. Wagon Play by Ben Hayward and Owen Fawcett @ Toronto Fringereview. The Grass is Greenest at the Houston Astrodome by Michael Ross Albert @ Toronto Fringe →
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