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Kendra Jones

director . writer . dramaturg . instructor
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impel theatre blog

Burgeoning academic.
Creator of things to read & experience. Thinks too much.
Analyzes everything. 

Reviews are meant to catalogue, interrogate, and challenge what I see.

All opinions are just that -- opinions. 

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra JonesPhoto by John Gundy

Pip Dwyer, Kaitlin Race, Jennifer Dysart McEwan in Watching Glory Die by Judith Thompson, directed by Kendra Jones

Photo by John Gundy


Sunny days ☀️
Happy Mother’s Day, Canadians 

#anarchyintheuk
Tangled.

Found in Commercial Street.
#london #spitalfields #streetart
Happy birthday @bonks21 ! If these pictures don’t exemplify our relationship, nothing does. Here’s to this summer’s European adventure which trades Scottish mountains for Parisian staircases.
❤️

Found in High Holborn, London
Just hanging out. 

Found in Commercial Street. 

#london #eastlondon #wheatpaste #streetart
Outside David Garrick’s house, on the banks of the Thames; his Temple to Shakespeare.

#hampton #temple #shakespeare
Saw Hate Radio at @batterseaartscentre - thought some things. You can read them on the blog, link in bio.

#theatre #archive #review #milorau #bac
Saw Book of Mormon the other week. Thought some things. You can read them on the blog- link in bio

📸: Prince of Wales Theatre ceiling
Our appetite and capacity to digest fragmented narrative is expanding.

@jordan.tannahill - Theatre of the Unimpressed 

#reading #theatre #mediums #mediation #experiences

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Preview: The Huns by Michael Ross Albert at Brighton Fringe

May 21, 2022

Back in the old, pre-pandemic days, there was a comedy that took the Toronto Fringe by storm. For those who have never attended or shown work at Toronto Fringe this may seem uneventful, however for those who have, you’ll know what a feat that is. The festival is sprawling, spanning a massive bustling city end to end, meaning that it can be tough to get a significant piece of the media and audience attention without significant monetary spend. But then there was The Huns.

The Huns captured the minds of critics and audiences, enjoying a sold-out run and multiple accolades. It was the show everyone was talking about when it is rare that there is such agreement on the highlight of the festival.

Michael Ross Albert’s The Huns now makes its way across the ocean, after much pandemic sourced delay, to debut at The Brighton Fringe. The dark comedy about millennial angst and modern workplaces only stands to ring more true in the post-pandemic but still-pandemic world of mixed working and pandemic anxiety it isn’t polite to talk about.

The Huns is presented as part of the Brighton Fringe Festival at The Rotunda Theatre May 21 to 29

May 21, 22 (15:00) / May 24, 25 (19:30) / May 28 (21:00) / May 29 (16:30)

To purchase tickets, visit: www.rotundatheatre.com/the-huns

Tags: Preview, theatre, Brighton Fringe, The Huns
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