This new script centres on two sisters grappling with their father’s alcoholism, coming to terms with how it affected their lives in ways they didn’t realise growing up, and how this is now crashing down on them and the family. The early moments of the script and performance build the relationship of the sisters well, and sets the convention for their video chats to be played out to the crowd. The sound design is a bit over engineered to create a realistic world, and this begins to get tired as the play enters into the more serious aspects of the script. The text and performances follow this same trajectory, which is too bad; there was an opportunity for a lovely tragicomic denouement but it was missed. There is nothing wrong with the production per se, there just isn’t anything new. Bettina Paris is immensely watchable, and I look forward to seeing her working in stronger material, or at least under stronger direction.