Theaster Gates’ latest exhibition at White Cube Bermondsey brings his typical juxtaposition of the personal and the political, the micro and the macro. Focussed primarily around Malcolm X and the Civil Rights Movement (specifically the more militant side of the Black Panthers) and how this work was carried across the world to a broader discussion of freedoms by two Japanese artists, the exhibition almost takes the form of archive. The video documentaries that are central to the exhibition serve to beautifully explain some of the objects — textures, materials, shapes — that are seen in the individual pieces around the gallery.
In particular, the use of everyday items as canvas, from roof shingles to fire hoses, from vases to pieces of wood and book cases, is quite stunning. The simplicity of the materials reminds the viewer of the personal nature of these huge political acts, and their repercussions.
A libation in Uncertain Times(2024)
Abstract Revolutionary Periodical Superstructure (I stole the Master’s library shelving and filled it with books) (2025)