Set in Russia in the 1980s, just prior to the Moscow Olympics, this play is focused around "undesirables" whom are shipped out of the city for the period of the games, to ensure that Communist Russia shows well to the world. It isn't much of a stretch to bring this topic to relevance today, in London, where although I haven't read about it, this must be happening. Even Winnipeg, when hosting the Pan American games in 1999 mysteriously had no homeless people on the streets for the duration of the games.
The play begins with a scene in Russian, which we then see re-done in English, to great effect. The remainder of the play is in (mainly) lower class English accents, making the above association even stronger. These women - prostitutes from the streets of Moscow - are shipped off to an awful countryside "rooming house" to sit out the games and stay out of trouble.
Overall the performances and direction were good, and I did find myself apsorbed in the play. Accents did at times wobble into RP, and it is these moments in which I found myself falling out of synch with the piece. As well, the build to the final scene of anarchy seemed rather sudden; the movement of the play from polite interaction to wild drunken revolt did not build to a boil, instead seeming to flash fry. I suspect it would have been more effective if this built over time, so that the audience feel pulled along with the revolt that would soon characterize all of Russian society as the USSR broke up. This is a great ensemble piece, with strong parts for 5 women and small-ish parts for two men.
The design and use of space were clever, using the audience aisle to position the door and outside behind the audience, moving our focus. Once again, the lighting design is stand out - there are some seriously talented lighting designers studying at RADA right now.
The play begins with a scene in Russian, which we then see re-done in English, to great effect. The remainder of the play is in (mainly) lower class English accents, making the above association even stronger. These women - prostitutes from the streets of Moscow - are shipped off to an awful countryside "rooming house" to sit out the games and stay out of trouble.
Overall the performances and direction were good, and I did find myself apsorbed in the play. Accents did at times wobble into RP, and it is these moments in which I found myself falling out of synch with the piece. As well, the build to the final scene of anarchy seemed rather sudden; the movement of the play from polite interaction to wild drunken revolt did not build to a boil, instead seeming to flash fry. I suspect it would have been more effective if this built over time, so that the audience feel pulled along with the revolt that would soon characterize all of Russian society as the USSR broke up. This is a great ensemble piece, with strong parts for 5 women and small-ish parts for two men.
The design and use of space were clever, using the audience aisle to position the door and outside behind the audience, moving our focus. Once again, the lighting design is stand out - there are some seriously talented lighting designers studying at RADA right now.