This has been a favourite play of mine for a very long time. The clash of forces between the ruler (master) and citizen (slave), father figure and daughter, law and reason is very vivid, and ignites my imagination. Antigone does what she thinks is right, and sticks by this choice...then cannot live in a world where she is condemned to death for this. Her suicide seems initially like she is cheating, however she has no other choice; this way she dies at her own hand and not that of her oppressor.
Interestingly, this play, unlike many Greek Tragedies, has a single action, but many side-actions. I hesitate to call them sub-plots, for they are still along the initial line of Antigone's plight, but the love story, suicide, etc almost tend toward our more modern understanding of plot.
image: Woman Struggling to Break Free of Contentment - Naznin Virji-Babul
Interestingly, this play, unlike many Greek Tragedies, has a single action, but many side-actions. I hesitate to call them sub-plots, for they are still along the initial line of Antigone's plight, but the love story, suicide, etc almost tend toward our more modern understanding of plot.
image: Woman Struggling to Break Free of Contentment - Naznin Virji-Babul