Our first day back in the Spring term. Yes, I know it is only just winter, but apparently here in the UK Winter is simply that brief period in December when there are christmas lights on every available surface. Where January in my estimation typically includes horrific winds, large wool coats, and hibernating indoors, January here is around +10, humid, and, apparently, called Spring. Alas, I digress. . .
To speak metaphorically, last term felt like I was walking on one of those sheets they stretch across a pool; uneasy, but familiar territory, with a burst of energy to get through to the end. This term, in its beginning, already feels like a tornado, whirling about with so much information and so many ideas....begging to be put to good use and calmed down. We spent our first class on Genet discussing the man, our first impressions of his plays, and some general themes that come out of them. We also spent considerable time watching and then discussing a BBC interview with the man from the early 1980s, not long before his death in 1986. What we saw in this footage was an artist at his twilight; still glimmering with incisive intelligence and a gripping personality, but struggling against the interviewer, desperately to ensure he is not defined. I believe it was Camus who articulated the existentialist tenet most clearly, when he said of objectivity that "to define me, means I am dead". Watching Genet twist the questions, avoid responding to the directness of the interviewer on certain subjects, and approach the subject of his life with such a coy and playful nature was at once fascinating and confounding.
To speak metaphorically, last term felt like I was walking on one of those sheets they stretch across a pool; uneasy, but familiar territory, with a burst of energy to get through to the end. This term, in its beginning, already feels like a tornado, whirling about with so much information and so many ideas....begging to be put to good use and calmed down. We spent our first class on Genet discussing the man, our first impressions of his plays, and some general themes that come out of them. We also spent considerable time watching and then discussing a BBC interview with the man from the early 1980s, not long before his death in 1986. What we saw in this footage was an artist at his twilight; still glimmering with incisive intelligence and a gripping personality, but struggling against the interviewer, desperately to ensure he is not defined. I believe it was Camus who articulated the existentialist tenet most clearly, when he said of objectivity that "to define me, means I am dead". Watching Genet twist the questions, avoid responding to the directness of the interviewer on certain subjects, and approach the subject of his life with such a coy and playful nature was at once fascinating and confounding.