From the first moment, it is clear that writer/performer Leah Borchert is here to subvert your expectations. She proudly announces she's going to sing a dancing song to get everyone pumped up, then sits with her guitar and sings an awkward song about loneliness. This is just one of the many inventive ways Borchert weaves through the story of a young girl grappling with her own sense of self and the times it is at odds with expectations.
A well-shaped one woman piece, Borchert uses items found in children's play rooms to create theatre, using the props both literally and metaphorically to craft a space of exploration. Within this space she tests our expectations and assumptions for how the character, Genvieve, ought to behave in the world. This is beautifully paralleled with a discussion of the tides and the ocean -- water which also doesn't behave in the way we think it should.
This isn't the show for everyone, but it should be.
A well-shaped one woman piece, Borchert uses items found in children's play rooms to create theatre, using the props both literally and metaphorically to craft a space of exploration. Within this space she tests our expectations and assumptions for how the character, Genvieve, ought to behave in the world. This is beautifully paralleled with a discussion of the tides and the ocean -- water which also doesn't behave in the way we think it should.
This isn't the show for everyone, but it should be.