I saw this last week, on the opening night of the previews for this West-End transfer from the Royal Court. Posh was highly successful for the Royal Court a couple years back, completely selling out its run, and receiving strong reviews from some camps for its bold anti-Tory politics. Others did not find the politics so convincing.
Sadly, despite the outstanding performances and production, I have to side with those critics who did not find the initial production as political as it claimed to be. Presenting us with a clique of entitled (and titled) Eton-Oxford boys enjoying a night of debauchery, Wade is clearly aiming to show us what is wrong with those in power in England (and elsewhere). In this, she is successful; the young men come across as awful people, initially in their brazen plans, then as the play goes on, in their misogyny, violence, and ability to squeak out of trouble unscathed, in spite of the destruction they have caused, all with the wave of a pen over a cheque. That said, the play is rather one-sided - we do not see a glimmer of dimension to these characters. Wade presents them without a shred of compassion or decency, only concerned for themselves. I left feeling like the play hadn't given me anything I didn't already know, and didn't challenge me to think about the situation in a new light; it encouraged the sort of envy and derision these characters accuse the 'middle classes" of in the play, rather than attempting to present an alternative.
As I said, the production itself was strong. All performers were well cast and excelled in their roles; notably the pub owner and his daughter brought 3-dimensional life to characters who could run the risk of being hokey stereotypes. The clever set and use of choreographed set changes added to this (although the musical interludes could have been done without...the first was intriguing and used the set and history well, after which they devolved into a Glee-style singalong in my opinion).
It is certainly a play worth seeing. I'm just not sure it achieved what it set out to do.
Sadly, despite the outstanding performances and production, I have to side with those critics who did not find the initial production as political as it claimed to be. Presenting us with a clique of entitled (and titled) Eton-Oxford boys enjoying a night of debauchery, Wade is clearly aiming to show us what is wrong with those in power in England (and elsewhere). In this, she is successful; the young men come across as awful people, initially in their brazen plans, then as the play goes on, in their misogyny, violence, and ability to squeak out of trouble unscathed, in spite of the destruction they have caused, all with the wave of a pen over a cheque. That said, the play is rather one-sided - we do not see a glimmer of dimension to these characters. Wade presents them without a shred of compassion or decency, only concerned for themselves. I left feeling like the play hadn't given me anything I didn't already know, and didn't challenge me to think about the situation in a new light; it encouraged the sort of envy and derision these characters accuse the 'middle classes" of in the play, rather than attempting to present an alternative.
As I said, the production itself was strong. All performers were well cast and excelled in their roles; notably the pub owner and his daughter brought 3-dimensional life to characters who could run the risk of being hokey stereotypes. The clever set and use of choreographed set changes added to this (although the musical interludes could have been done without...the first was intriguing and used the set and history well, after which they devolved into a Glee-style singalong in my opinion).
It is certainly a play worth seeing. I'm just not sure it achieved what it set out to do.