I have read this many times, for various purposes. It has always stood out to me as one of my favourite of the Bard's plays, simply because of its focus on jealousy and the result of assumption. This time what really stood out was the pace; while some plays take awhile for things to happen, in Othello the events fly by (despite the play's length) and the audience too feels swept away by the lies and deceit, until the moment Desdemona is killed. From here one almost feels suspended in time and the moments take gut-wrenching years, while Othello learns of the error in his ways.
Also really apparent to me this time was the abundance of crowded feet and female endings in the metre, along with the seamless transition between verse and prose as Iago goes from spinning his web to trying to maintain his cover. This is likely influenced by all the Berry I have been reading, but it stood out nonetheless.
Also really apparent to me this time was the abundance of crowded feet and female endings in the metre, along with the seamless transition between verse and prose as Iago goes from spinning his web to trying to maintain his cover. This is likely influenced by all the Berry I have been reading, but it stood out nonetheless.