I watched this in recording, from a 2018 performance in Dublin. Unfortunately it was a limited time, but follow Dead Centre in case they make it available again.
While it is performed live, the audience are provided headsets to listen; this is explained at the onset by the director, who tells us he wants to explain the symbolism and meaning of the production, which can be lost in Chekhov for modern audiences. The audience dutifully put their headphones on, and hear the director’s voice in their ear; first explaining things about Chekhov and the play, but shortly also critiquing the actors, explaining cuts, or complaining of errors. Just at the moment this begins to feel self indulgent, the set begins to fall apart (at one point a literal wrecking ball smashes bits) and the Chekhov that the director had tried so diligently to explain to us has itself fallen apart. We are left with snippets, moments, symbols, the precise opposite of the naturalism so often aligned with Chekhov’s writing, and so much clearer as a result.
I don’t want to give too much away, so won’t say much more, other than to offer a question regarding the audience member who is physically brought into the performance. Clearly this individual is pre-selected and receiving their instruction in a special headset — but what else is different about this individual’s experience? And how is their agency and willingness to be involved to such a degree mediated? Not knowing this, I was concerned about their opportunity to opt-in, to give consent to participate in this manner. Has anyone declined?
This was a really unique production which asks a lot of questions of its audience and material - but did leave me with some. That said, well worth seeing if you have the chance.